Tuesday, January 26, 2010

Harlem Rennaissance

James Weldon Johnson "The White Witch"
The speaker in this poem warns his younger brothers to beware the white witch. Is this simply a warning to avoid sexual relations with white women? Definitely sexual relations between the races at this time was considered by both sides to be taboo, but the symbolism Johnson uses in this poem speaks of a more subtle relationship. "Her lips are like carnations red,/ Her face like new-born lilies fair,/ Her eyes like ocean waters blue,/ She moves with subtle grace and air,/ And all about her head there floats/ The golden glory of her hair." This woman's coloring is strikingly red, white and blue-she is the true American woman. "And back behind those smiling lips,/ and down within those laughing eyes,/ and underneath the soft caress/ Of hand and voice and purring sighs,/the shadow of the panther lurks,/ The spirit of the vampire lies." On further examination, Johnson is comparing lying with a white woman to embracing the American ideals. America advertises itself as "the land of the free", but the speaker warns his black brothers not to be fooled by any of it. In spite of economical freedom being granted African-Americans, the Jim Crow laws, and legalized segregation and subtle racism of the north, are perhaps even more dangerous than the "ancient hag and snaggle tooth" of which they are accustomed. Johnson's narrator says "your only safety lies in flight", referring back to the idea of Pan Africanism that Johnson and others supported.

No comments:

Post a Comment